gh1836 wrote:Here's some video of a 70mm print being prepared for projection Just thought some of you might be interested. http://filmmakermagazine.com/88196-watc ... FolJfnF-So
Nice, Gary. It also brings back my 16 mm. film editing days with "checking the print" with linen gloves and the finger and thumb feel for torn sprocket holes and bad splices. The effort in checking edited original was to TRY to cause a splice to come apart before sending it to the lab for final printing where, if it fell apart in the printer, would cost hundreds of dollars more. Ahhhh, I can smell the film!!! (Digital doesn't smell -- except when I get furious with a piece of equipment and fling it across the room and it blows up. ).